At the urging of many a book blogger, I pre-ordered The Winner’s Curse long before release, received the gorgeous hardcover, and somehow managed to squish in reading it. I’m typically terrible about finding the time to joy read, but HOLY COW THIS BOOK. It gripped me. I stayed up way too late and ignored friends and simply basked in this masterpiece. (Also had a happy panic attack when this happened.) I have a hundred and one things to say about it, but I’ll do my best to narrow it down to four or five. First off, the writing. I loved some of the unusual descriptions that many people wouldn’t be able to get away with, but somehow the author was able to make them totally work. Those lines that I’m always afraid are a little too ironic or a little too intense? She puts them in there, guys! And not just anywhere. They are chapter endings. THE ACTUAL ENDING, ZOMG. This is what prompted me to gush all over Twitter that I think I have a kindred spirit, to run out and buy all her other books pronto. I’m now a crazy fan, thank you very much.
Okay, now that I’ve gotten my adoration for the writing off of my chest, there’s Kestrel. I haven’t liked a main character this much in years. She’s smart and cunning, and she knows how to use her intelligence without rubbing everybody’s face in it. Her personality was realistic and deep. I loved that she didn’t go around earning respect by being as tough or attractive as others. Instead, she was very much her own person, with her own tastes and friends and qualities and weaknesses. I love a character with a passionate streak, or deeply wounded with complicated motivations, and even some who are harsh and unforgiving, but I also love a character with downright sense. Kestrel is sensible while still managing to feel things deeply, and she knows how to strategize around life crap that gets thrown at her. Basically, I adore her.
Arin, the Herrani slave Kestrel wins at auction at the beginning of the story (thus invoking the “Winner’s Curse”) was expertly layered in every sense. His entire race has been conquered and made slaves — and that alone is enough to justify the bitterness he shows toward his purchaser — but he’s not whiny at all, and that made me literally want to hug him. He is displeased and incensed by his circumstances, so he sets out to change them, and he does so in a smoldering cloud of awesome. The conflict between him and Kestrel was crackling, and I liked it even more than their romance. There’s nothing quite like two honorable characters, equal of mind and soul, going at each other with words [knives, swords, poison, chains…ahem].
The secondary characters do not disappoint — Kestrel’s friends, Jess and Ronan (especially Ronan); an opponent of hers, Irex; and perhaps my favorite, Kestrel’s father, a general in the Valorian army — are all interesting, complex, and real in their own right.
Oh wait, General Trajan totally deserves his own paragraph because the father/daughter relationship is so freaking flawless. Kestrel’s father sometimes seems too unemotional and commanding, yet the way his wife died gives him cause to pull away AND cause to want his daughter to be as rugged and logical as possible. Also? He treats her as an equal. So much of the Young Adult genre eloquently reflects how idiotic parents can seem to a teenager, but I LOVE that someone decided to portray a teen that is actually pretty good at putting herself in her parent’s shoes and 
understanding him as a person (teens can be sympathetic and observant too, y’know). Trajan, although rather emotionally challenged, does everything he can to give her equal parts privilege and responsibility. And although she finds herself disagreeing entirely with his political views, Kestrel manages to never personally betray him — which, you know, just made me ❤ ❤ ❤ her all the more.
I love that Rutkoski doesn’t shy away from showing many sides of mortality. There are slimy characters, people we think are well-meaning who turn out to be douchy, and there are beautiful, sacrificial souls that might have seemed shallow until the surface was scratched. (I AM rather bitter that we didn’t see enough Ronan in this book. I want more Ronan.) Nothing in the story was overtly magical, and that made me love it ten times more. Kestrel’s world is layered in history and humanity instead of symbolism and supernatural powers. I’ve always been drawn toward the more realistic/historical worlds in the fantasy genre, especially where the greatest emphasis is on the characters. The Winner’s Curse is the first in a trilogy, so there’s more coming, YAY!
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–Rachel O’Laughlin
There And Draft Again 